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Nancy Friese American, b. 1948

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  • Nancy Friese, Trees of Summer Light

    Drawing, A Cure for the January Blahs

    Roberta Smith, The New York Times, January 20, 2022
  • Orit Hofshi, Time...thou ceaseless lackey to eternity

    Paradise

    Abbi Kenny, Art New England, April 1, 2021
  • Michael Krueger, The Optimism of Trees

    Art Blossoms into 'Paradise' at Cade Tompkins Projects

    Cate McQuaid, The Boston Globe, March 4, 2021
  • Cade Tompkins Projects Art Team

    Cade Tompkins Projects celebrates the opening of the David H. Koch Center for Cancer Care

    artdaily.com, artdaily.com, August 31, 2020
  • Fata Morgana/Mondo Nuovo (detail), Serena Perrone

    Contemporary Master Drawings at Cade Tompkins Projects

    Mary Bergstein, & Big Red and Shiny, April 24, 2018
  • Spring Arbor

    The Lay of the Land

    Julie Dugdale, New England Home, September 1, 2017
  • Avondale Farm Preserve Winter 2007, oil on linen, 72 x 144 inches

    Dazzling North Dakotans with landscape and light

    Enbridge, August 23, 2016
  • Still Grove

    Susan Tallman, Art in Print, May 1, 2016
  • NANCY FRIESE, Lake Light 2015, watercolor diptych mounted on wood, 40 x 119 inches

    Go Big

    Alexander Castro , Mercury, February 3, 2015
  • September on the Lieutenant River Shore 2012, watercolor mounted on linen: 85 x 60 inches

    The Organization of Art A Review of ‘Animal/Vegetable/Mineral,’ at the Florence Griswold Museum

    Martha Schwendner, The New York Times, August 9, 2013
  • Memorial Day Part II

    Double Legacy at Cade Tompkins Projects

    Suzanne Volmer, Artscope, January 1, 2013
  • Monumental Watercolor Paintings

    Renee Doucette, Art New England, July 1, 2011
  • Cottonwood, Box Elder and Poplar,

    In the Galleries: “Monumental Watercolors” at Cade Tompkins Projects

    Bill Van Siclen, The Providence Journal, June 23, 2011
  • River of the North 2000

    The Contemporary Landscape

    Linda C. Hults, The College of Wooster Art Museum, October 18, 2002
  • Friese's Fluid Landscapes

    Cate McQuaid, The Boston Globe, May 31, 2001
  • River Aven (detail) 2000, woodcut with chine collé, 23 x 83 inches, edition of 20

    Editions

    Faye Hirsch, Art on Paper, July 1, 2000
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